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Armadillo Art & Craft is a wholesale importer and distributor of premium artists' materials.
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Old Holland Painting Mediums
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A1101 Petroleum spirit rectified
- Solvent thinner for oil paint
- Makes the paint less oily
- Also suitable for cleaning materials
- Obtained by distilling mineral oil
B1102 Terpentine rectified
- Solvent thinner for oil paint
- Makes the paint less oily
- Also suitable for cleaning materials
- Obtained by distilling mineral oil
C1103 White Siccative
- Shortens the drying time of oil paint
C1104 Linseed oil bleached
- Cold-pressed linseed oil, which is then bleached
- Increases the fluidity
- Makes it possible to remove the brushstroke
- Increases the gloss, but lengthens the drying time
- Can be diluted with turpentine and white spirit.
- Yellows less than linseed oil, but dries slower
E1105 Poppy oil refined
- Obtained from the first pressing of poppy oil
- Increases the fluidity
- Makes it possible to remove the brushstroke
- Increases the gloss, but lengthens the drying time
- Can be diluted with turpentine and white spirit.
- Yellows less than linseed oil, but dries slower.
D1106 Stand oil
- Boiled, polymerised linseed oil
- Increases fluidity and makes it possible to remove the brushstroke
- Increases the gloss, is elastic, but lengthens the drying time
- Can be diluted with turpentine and white spirit.
- Yellows less than linseed oil, but dries slower
- Can be used in the glacis technique
C1107 Oil painting medium
- Dilutes the oil paint and increases the fluidity
- Reduces the gloss and has almost no effect on the drying time
- Brushstrokes remain visible
- Made from a mixture of linseed oil, turpentine oil and white spirit.
- Does not contain any resin or dryers
C1108 Quick drying painting medium
- Dilutes the oil paint and increases the fluidity
- Reduces the gloss and accelerates drying
- Brushstrokes remain visible
- Made from a mixture of linseed oil, turpentine oil and white spirit.
- Does not contain any resin or dryers
D1109 Retouching varnish
- Suitable for bringing up lost elements, and for temporary protection
- Dries in several hours
- For use when the paint is dry. Does not yellow.
- Made on the basis of ketone resin dissolved in white spirit
E1110 Dammar picture varnish
- For protecting the painting
- Gives a higher gloss, yellows slightly later
- Made from pure dammar resin dissolved in white spirit
- To be used approximately one year after the paint has dried
F1111 Mastic picture varnish
- A hard varnish, which often becomes slightly milky
- Gives a higher gloss, yellows slightly later
- Made from pure mastic resin dissolved in white spirit
- To be used approximately one year after the paint has dried
D1112 Picture varnish glossy
- Pliable glossy varnish which does not yellow, to protect the painting
- Made from ketone resin dissolved in white spirit
- To be used approximately one year after the paint has dried
- D1113 Picture varnish matt
- Pliable glossy varnish which does not yellow, to protect the painting
- Made from ketone resin dissolved in white spirit, with the addition of beeswax to obtain the matt characteristic
- To be used approximately one year after the paint has dried
F1116 Picture cleaner
- Suitable for cleaning the varnish layer
- Due to the presence of beeswax, the painting becomes matt during drying
- Soluble in white spirit
E1132 Dammar retouching varnish
- Suitable for bringing up lost elements, and for temporary protection
- Dries in several hours
- To be used when the paint is dry
- Made on the basis of dammar resin and turpentine
F1134 Cold pressed windmill linseed oil
- Oil from linseed cold-pressed in a windmill
- Increases fluidity and makes it possible to remove the brushstroke
- Increases the gloss, but lengthens the drying time
- Can be diluted with turpentine and white spirit.
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