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Old Holland Oil
Old Holland Painting Mediums
Art Spectrum Oil
Art Spectrum Oil Prime
Maimeri Puro Oil
Maimeri Artisti Oil
Maimeri Classico Oil
Maimeri Oil Painting Mediums
Maimeri Natural Italian Earths
Old Holland Watercolour
Art Spectrum Watercolour
MaimeriBlu Watercolour
Maimeri Venezia Watercolour
Maimeri Gouache
Old Holland Dry Pigments
Maimeri Dry Pigments
Maimeri Restoration Colours
Liquid Spectrum Acrylic Ink
Rainbow Hobby Enamel Colour
Idea Glass Colour
Liquid Pencil
Magic Color
Colour Shapers & Clay Shapers
Old Holland Brushes
Rekab Brushes
Angelo Brushes
Dekko Portfolios
Krystal Seal Bags
New Masters
Maimeri Brera Acrylic
Maimeri Polycolour Acrylic
ARA
Magic Color
Magnart Hanging System
Permaset Aqua
Art Spectrum Soft Pastels
PanPastel
Maimeri Classico Oil Pastels
Maimeri Artisti Soft Pastels
Wolffs Carbon Pencils, Sketching Sets, Charcoal & Carbon Sticks
Rainbow Liquid Chalk & Blackboard Paint
Scraper Cutters & Lino Cutting Tools
Sparmax Airbrushes
Sparmax Compressors
SIMair Gloo-booths & Spraybooths
Frisket Masking Film
Art Spectrum Colourfix Papers, Boards & Primer
Art Spectrum Supertooth Paper
Essdee Scraperboard
Pallettes – Angelo, Sterling Edwards, Tom Jones
PastelMat
Art Spectrum Oil Display
Maimeri Puro Oil
Maimeri Classico Oil
Maimeriblu Watercolour
Maimeri Polycolor Acrylic
Liquid Spectrum Acrylic Ink
Colourfix Paper & Primers
Colourfix Plein Air Board
Colour & Clay Shapers
Old Holland Brushes
Masking Fluid Applicators
Dekko Portfolios
Magnart Hanging System
Permaset Aqua Fabric Printing Ink
Art Spectrum Soft Pastels
Art Spectrum Extra-soft Pastels
Wolffs Carbon Pencils
Sofft Tools

Armadillo Art & Craft is a wholesale importer and distributor of premium artists' materials.
Old Holland Painting Mediums

A1101 Petroleum spirit rectified
  • Solvent thinner for oil paint
  • Makes the paint less oily
  • Also suitable for cleaning materials
  • Obtained by distilling mineral oil
B1102 Terpentine rectified
  • Solvent thinner for oil paint
  • Makes the paint less oily
  • Also suitable for cleaning materials
  • Obtained by distilling mineral oil
C1103 White Siccative
  • Shortens the drying time of oil paint
C1104 Linseed oil bleached
  • Cold-pressed linseed oil, which is then bleached
  • Increases the fluidity
  • Makes it possible to remove the brushstroke
  • Increases the gloss, but lengthens the drying time
  • Can be diluted with turpentine and white spirit.
  • Yellows less than linseed oil, but dries slower
E1105 Poppy oil refined
  • Obtained from the first pressing of poppy oil
  • Increases the fluidity
  • Makes it possible to remove the brushstroke
  • Increases the gloss, but lengthens the drying time
  • Can be diluted with turpentine and white spirit.
  • Yellows less than linseed oil, but dries slower.
D1106 Stand oil
  • Boiled, polymerised linseed oil
  • Increases fluidity and makes it possible to remove the brushstroke
  • Increases the gloss, is elastic, but lengthens the drying time
  • Can be diluted with turpentine and white spirit.
  • Yellows less than linseed oil, but dries slower
  • Can be used in the glacis technique
C1107 Oil painting medium
  • Dilutes the oil paint and increases the fluidity
  • Reduces the gloss and has almost no effect on the drying time
  • Brushstrokes remain visible
  • Made from a mixture of linseed oil, turpentine oil and white spirit.
  • Does not contain any resin or dryers
C1108 Quick drying painting medium
  • Dilutes the oil paint and increases the fluidity
  • Reduces the gloss and accelerates drying
  • Brushstrokes remain visible
  • Made from a mixture of linseed oil, turpentine oil and white spirit.
  • Does not contain any resin or dryers
D1109 Retouching varnish
  • Suitable for bringing up lost elements, and for temporary protection
  • Dries in several hours
  • For use when the paint is dry. Does not yellow.
  • Made on the basis of ketone resin dissolved in white spirit
E1110 Dammar picture varnish
  • For protecting the painting
  • Gives a higher gloss, yellows slightly later
  • Made from pure dammar resin dissolved in white spirit
  • To be used approximately one year after the paint has dried
F1111 Mastic picture varnish
  • A hard varnish, which often becomes slightly milky
  • Gives a higher gloss, yellows slightly later
  • Made from pure mastic resin dissolved in white spirit
  • To be used approximately one year after the paint has dried
D1112 Picture varnish glossy
  • Pliable glossy varnish which does not yellow, to protect the painting
  • Made from ketone resin dissolved in white spirit
  • To be used approximately one year after the paint has dried
  • D1113 Picture varnish matt
  • Pliable glossy varnish which does not yellow, to protect the painting
  • Made from ketone resin dissolved in white spirit, with the addition of beeswax to obtain the matt characteristic
  • To be used approximately one year after the paint has dried
F1116 Picture cleaner
  • Suitable for cleaning the varnish layer
  • Due to the presence of beeswax, the painting becomes matt during drying
  • Soluble in white spirit
E1132 Dammar retouching varnish
  • Suitable for bringing up lost elements, and for temporary protection
  • Dries in several hours
  • To be used when the paint is dry
  • Made on the basis of dammar resin and turpentine
F1134 Cold pressed windmill linseed oil
  • Oil from linseed cold-pressed in a windmill
  • Increases fluidity and makes it possible to remove the brushstroke
  • Increases the gloss, but lengthens the drying time
  • Can be diluted with turpentine and white spirit.